Twenty minutes on what the images need to do, where they will be seen and who is in them. You get a fixed price the same day.
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Within 24 h
Plan
A short plan: timings, locations, the shots that must exist by the end of the day, and what you need to prepare.
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Half or full day
Shoot
We move quietly through the day. No forced line-ups, nobody pretending the camera isn't there.
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5–10 days
Delivery
A sorted, edited library with crops for social, web and press, ready to publish.
Fixed price agreed before we start · No hidden extras · The images are yours to use freely
Beautiful images are everywhere.
Memorable images have a point of view.
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The work
Companies, institutions, municipalities and magazines — arenas, offices, production floors, town squares and open country, photographed in one consistent voice.
A defined image language for the brand: environments, products in use, people, texture. Built to be recognisable at thumbnail size.
You need images faster than you can commission them.
One focused day on site that produces a library, not a folder. Planned around the channels that will actually consume it.
Your face is part of the offer and it is represented by a cropped group photo.
Portraits and environmental frames for founders, experts, speakers and creators. Press, stage, site and social from one session.
Candidates cannot tell what it is like to work with you.
Documentary photography of real people doing real work. Careers pages, recruitment campaigns, internal communications.
The night happened and there is nothing left to show for it.
Conferences, launches, arenas, culture and public events. Reportage that captures the room, not just the programme.
Your region is photographed the same way every other region is.
Landscape, town, nature and everyday life for municipalities, regions, destinations and property. Across seasons if it matters.
The story needs pictures with a voice.
Portraits, reportage and visual essays for magazines, publications and editorial projects. Commissioned or proposed.
A launch needs a look, not just assets.
Concept, direction and photography for campaigns, new products, new brands and seasonal work.
The team page is a collage of selfies.
Efficient, consistent portrait production for growing teams. One setup, one look, everyone included.
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What clients say
“We finally got images that look like us. The leadership team stopped asking to be reshot.
Head of Communications · Industrial group, southern Sweden
“Invisible all evening, and still everything the press needed was ready the next morning.
Manager · Recording artist, Nordic tour
“The library runs everything from the annual report to bus shelters. It holds up.
Communications department · Municipality, western Sweden
Placeholder text until real quotes are approved for publication.
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Why him
Good photography captures what happened.
Great photography captures what it felt like.
Observational first, directed when the frame needs it.
Available light, real rooms, real weather.
Composition before retouching.
Commercially aware — every frame has a place to go.
Emotionally intelligent, quick to disappear in a room.
04 — On repeat
Your brand needs new images. Constantly.
Most companies invest in one shoot and then live off it for eighteen months. By month four the images are already lying about who you are. The alternative is not a bigger shoot. It is a rhythm.
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One-off
For a specific need.
A single shoot with a clear brief — a launch, a report, a new team, an event.
Half or full day
Planned around one deliverable
Edited set delivered in days
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Content partner
Recurring monthly photography.
A session every month. The visual library never goes stale and marketing stops improvising.
Monthly shoot day
Rolling shot list
Priority in the calendar
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Visual partner
Long-term quarterly collaboration.
Quarterly production plus image planning — treated as part of the team rather than a supplier.
Quarterly production
Image direction & planning
Campaign and editorial work included
Every session is delivered as a sorted, edited library — crops for social, wide frames for web, portraits for press — so the images reach the channels the same week they were taken.
A place is not a postcard, and a company is not a floor plan.
The work moves between arenas and empty squares, board rooms and forest edges, launches and long afternoons. What holds it together is not a subject. It is a way of looking: patient, unposed, and interested in the moment just before or just after the obvious one.
That is what makes the images usable a year later, in a channel nobody planned for.
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About
↳ Fig. 14 · Self · Malmö · 2026
We photograph people who are busy being themselves.
Fotograf MK is based in Malmö and works across Sweden. Our roots are in wedding photography — some of the fastest, most demanding documentary work there is — and today we work mainly with companies, institutions, magazines and brands.
We show up early, stay quiet, and direct only when the picture needs it. We care about light, about the rooms people actually work in, and about handing back images that get used rather than admired.
Travel is part of the job. Arena in Stockholm on Friday, a municipality on the west coast on Monday.
Method
Observational, quietly directed
Kit
Available light first, discreet setup
Delivery
Sorted library, crops for every channel
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Trusted by people who care about how they are seen
Works across
Arenas & live events.
Municipalities & regions.
Industry & production.
Culture institutions.
Startups & scaleups.
Hospitality & destination.
Universities.
Agencies & press.
Client names, publications and quotes are added as each collaboration is confirmed.
Always a fixed price per assignment, set before we start. It depends on scope: hours, locations, how many images you need and how they will be used. Tell us briefly what you want and you will have a quote within 24 hours.
Based in Malmö with recurring days in Gothenburg and Stockholm, and assignments across Sweden and the Nordics. Travel is included in the quote — no surprises afterwards.
Usually within one to two weeks, and urgent work can often be solved the same week when the calendar allows. Recurring partners get priority.
The finished selection within 5–10 working days. If you need something immediately for press or social, you get a fast selection within 24 hours.
You get free usage rights in your own channels — web, social, press, print and recruitment. Wider licensing for paid media outside your own channels is simply agreed in the quote.
Yes. Working with artists, public figures and private clients, discretion is standard: NDA before we meet, nothing published without your approval, and material handled in a separate, encrypted workflow.
Both. Digital when pace and volume decide, analogue when a project benefits from colour, grain and a slower eye. We decide together in planning — and they can be mixed in the same assignment.
Yes, grading and editing are included in every delivery. Deeper retouching — skin, removals, composites — is quoted separately when needed.
We rebook at no extra cost. Outdoor assignments are planned with a reserve date from the start.
Yes — short motion for social and web is produced alongside the stills, often the same day. Larger film productions are made with a fixed team of editor and sound.
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Contact
Have something worth showing?
Tell us what you're working on. We'll figure out the pictures.